Upcoming Conferences in New York
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A 1933 window display devoted to American designers at Lord & Taylor in Manhattan from the New York Times
April brings at least two conferences of interest. One is a rather large conference organized by FIT's Sustainability Group. While not focusing specifically on fashion, the conference does have a number or sections that revolve around organic textiles--cotton in particular, as well as one paper on the topic of Slow Design. Ambitiously titled "Putting Sustainability into Action," the conference is scheduled to take place on April 2nd and pre-registration is encouraged.
More specifically on fashion and much smaller in scope is the yearly Richard Martin Visual Culture Symposium organized by the MA in Costume Studies at NYU. This year's keynote speaker is Phyllis Magidson, Curator of Costumes and Textiles at The Museum of the City of New York who will speak on fashion in New York and Paris from 1914 to 1941--possibly an extension of the recent exhibition at the Museum of the City of New York "Paris/New York: Design Fashion Culture, 1925-1940."
Among the papers presented are "Fashion and Façade: Addressing and Undressing the Bourgeoisie in Emile Zola’s Pot-Bouille" by Jessica Pescosolido, "The Italian Look: Unique Synergies at Work" by Gabriella Pannunzio, "Shapewear: A Complicated Affair A Study in the Resurgence of Body Shapers Worn by American Women" by Ashley Cohen, and "Jungle Red and Dragon Ladies: American Femininities and the Modern Manicure" by Suzanne Shapiro. The symposium takes place on Friday April 3rd Friday from 6:00-8:00 in the Einstein Auditorium at 34 Stuyvesant Street.


Fashion Projects #5 is devoted to fashion curation, examining the meteoritic rise in relevance of fashion exhibitions.
It features interviews with an eclectic assortment of leading practitioners from different corners of the world. The issue includes long Q&As with Harold Koda, the longtime, recently retired curator of the Met’s Costume Institute, as well as the Museum at FIT’s veteran leader Valerie Steele. It also features interviews with curators in Antwerp (the ModeMuseum’s Kaat Debo), Toronto (Royal Ontario Museum’s Alexandra Palmer) and Venice (Maria Luisa Frisa); academics studying the field (Hazel Clark, Annamari Vänskä, and Alistair O’Neill); and, giving an on-the-ground perspective, the Met’s head conservator, Sarah Scaturro. The issue’s cover stars Greer Lankton’s sculptural representation of legendary Vogue editor and Costume Institute doyenne Diana Vreeland, who continues to loom over the field years after her death.
Table of Contents
Introduction
Showmanship and History: An Interview with Harold Koda by Francesca Granata
Woman of Steele: An Interview with Valerie Steele by Lisa Santandrea
Exploring Fashion’s Openness: An Interview with Kaat Debo by Alex Esculapio
London, After a Fashion Curator: An Interview with Alistair O’Neill by Alexis Romano
Curation and Conservation: An Interview with Sarah Scaturro by Mae Colburn
Reflections on Fashion Curating
An Interview with Hazel Clark and Annamari Vänskä
Fashion in the Vast Museum: An Interview with Alexandra Palmer by Ingrid Mida
Restless Curating: An Interview with Maria Luisa Frisa by Marco Pecorari