1920s New Yorker cover from "What a Dame! Tracking the Origins of the New York Woman in 1920s Media and 1930s Film" by Lisa Santandrea
April seems to be introducing a slew of fashion lectures. This Friday April 4, the NYU costume studies MA is hosting its yearly symposium, "The Seventh Richard Martin Visual Culture Symposium." The keynote speaker is Jan Glier Reeder, curator of the Brooklyn Museum Costume Documentation Project. Other lectures' topics include a talk on guerrilla stores (by Emily Marshall Orr) and a lecture by Lisa Santandrea, which tracks the origin of the New York Woman in 1920s Media and 1930s Film.
The symposium is taking place 6:00pm to 8:00pm in the Einstein Auditorium, 34 Stuyvesant Street, New York, tel. (212) 998-5700.
Coming up next week at the Fashion Institute of Technology is a talk by Christian Louboutin, which has been organized concomitantly with the Louboutin’s exhibition curated by the graduate students at FIT. (The talk is to take place on April 9 from 5:30pm to 7:30pm at FIT’s Katie Murphy Amphitheatre.)
The next day (from 6pm to 8pm) a panel titled “Women Rule Fashion”—moderated by FIT curators Molly Sorkin and Colleen Hill—will engage in a discussion on the way the fashion industry has historically and at times uncharacteristically allowed women to gain leadership positions. Joining in the discussion are designer Catherine Malandrino, Vogue editor Sally Singer, photographer Maria Chandoha Valentino and Susan Sokol, president of Vera Wang.
Fashion Projects #5 is devoted to fashion curation, examining the meteoritic rise in relevance of fashion exhibitions.
It features interviews with an eclectic assortment of leading practitioners from different corners of the world. The issue includes long Q&As with Harold Koda, the longtime, recently retired curator of the Met’s Costume Institute, as well as the Museum at FIT’s veteran leader Valerie Steele. It also features interviews with curators in Antwerp (the ModeMuseum’s Kaat Debo), Toronto (Royal Ontario Museum’s Alexandra Palmer) and Venice (Maria Luisa Frisa); academics studying the field (Hazel Clark, Annamari Vänskä, and Alistair O’Neill); and, giving an on-the-ground perspective, the Met’s head conservator, Sarah Scaturro. The issue’s cover stars Greer Lankton’s sculptural representation of legendary Vogue editor and Costume Institute doyenne Diana Vreeland, who continues to loom over the field years after her death.
Table of Contents
Introduction
Showmanship and History: An Interview with Harold Koda by Francesca Granata
Woman of Steele: An Interview with Valerie Steele by Lisa Santandrea
Exploring Fashion’s Openness: An Interview with Kaat Debo by Alex Esculapio
London, After a Fashion Curator: An Interview with Alistair O’Neill by Alexis Romano
Curation and Conservation: An Interview with Sarah Scaturro by Mae Colburn
Reflections on Fashion Curating
An Interview with Hazel Clark and Annamari Vänskä
Fashion in the Vast Museum: An Interview with Alexandra Palmer by Ingrid Mida
Restless Curating: An Interview with Maria Luisa Frisa by Marco Pecorari