Savage Beauty: Alexander McQueen at the Metropolitan Museum of Art


Alexander McQueen Savage Beauty, Courtesy of the Metropolitan Museum of Art

by Ingrid Mida

The world is experiencing a McQueen moment” said Thomas P. Campbell, director of the Metropolitan Museum of Art in his opening remarks to the press at today’s preview of the exhibition Savage Beauty: Alexander McQueen.

A more fitting choice of words could not be spoken. Until now, the extraordinary and rare genius of Lee Alexander McQueen’s artistic vision was not widely appreciated. In this retrospective presentation of about one hundred garments and seventy accessories from the late designer’s relatively short career from 1992-2010, The Metropolitan Museum has honored and documented the enormous legacy of McQueen to the world of fashion and art.

Alexander McQueen once said “For me, what I do is an artistic expression of that which is channeled through me. Fashion is just the medium.”

Not defined by stylistic convention, McQueen explored themes of love, nature, sex, and politics in terms of clothing and accessories for women. McQueen was also fascinated by the polarities of light/dark, wonder/terror, ugly/beautiful, life and death. Although his medium was fashion, McQueen’s thematic precepts were the opus of contemporary art and the exhibition celebrates that aspect of his work.

McQueen Black Duck Feathers Fall 2009, Courtesy of the Metropolitan Museum of Art

The expansiveness of McQueen’s vision is apparent in not only the thematic underpinnings to his work but also in his innovative use of materials. He manipulated feathers, horns, wood, glass, flowers, horsehair and shells into coverings for the female form. Mollusk shells became a corset, feathers became a skirt, alligator heads peeked out of jacket epaulettes, carved wooden boots became prosthetic legs, a jawbone became jewelry. There can be no doubt that he was an artist who presented his work in runway spectacles instead of a gallery. Looking to provoke reactions from his audience, he scripted the models for the runway shows to act with the charged emotions of a performance piece.

Presented thematically instead of chronologically, the exhibition defines McQueen’s work as a Romantic individualist, a “hero-artist who staunchly followed the dictates of his inspiration,” in the words of exhibition curator Andrew Bolton. Divided into galleries defined by themes of romantic historicism, naturalism, primitivism, and nationalism, the exhibition is evocative of a gothic fairy tale. One moves from light into darkness and the stuff of dreams.

Creating an exhibition that translated the spectacle of a McQueen show into the confines of a museum setting seems like a virtually impossible proposition. But curator Andrew Bolton and the exhibition designers captured the spirit of McQueen in a multi-dimensional sensory immersion into his oeuvre.  Sound, air and light are designed to synthesize the effect of being at a McQueen runway show. Wind effects create movement of the garments. Music and music and light are manipulated to achieve a dream like quality to the galleries. Video projections within, behind, and around the objects, and in one case on the ceiling, animate the displays and allow the visitor to check their reality with the looped clips from runway shows.

Much care has been given to the mannequins. Masks by Guido created out of leather, lace, linen and other materials conceal some of the mannequins faces and evoke a haunting presence. Some mannequins are headless and others look as if they are moving. Some sit on turntables or are backed by mirrors.

McQueen Gallery View Highland Rape, Courtesy of the Metropolitan Museum of Art

No detail has been overlooked in this hauntingly beautiful presentation. Several of the rooms bring to mind a Baroque palace with glass-fronted cabinets befitting such a place. One gallery is suggestive of the Victorian cabinet of curiosities and showcases accessories that were created in collaboration with others such as Philip Treacy and Shaun Leane.  And yet other galleries are modern and as disparate as the designer’s collections were from season to season. The exhibition is a showcase of unexpected delights, featuring the best examples of McQueen’s work sourced from the McQueen and Givenchy archive, as well as private collectors such as Daphne Guinness and Hamish Bowles.

The Metropolitan Museum of Art has set a new standard for exhibitions of costume. This exhibition is a fitting tribute to Lee Alexander McQueen’s extraordinary talent and is one of those shows that people will undoubtedly reference for years to come.

By Ingrid Mida

Ingrid Mida is a freelance writer, researcher and artist whose work explores the intersection between fashion and art. Based in Toronto, she is represented by Loop Gallery and also writes for a variety of journals. She will be the keynote speaker at the American Costume Society mid-west conference where she will talk about her artistic practice and when fashion becomes art.

Photos provided courtesy of the Metropolitan Museum of Art

Posted in Designers, Exhibitions, Museums


8 Responses to “Savage Beauty: Alexander McQueen at the Metropolitan Museum of Art”

  1. Judith Says:

    Brilliant description of a dazzling event -
    well done, Ingrid !

    jjj

  2. Nathalie Says:

    Brilliant! It sounds incredible,wish I were there…

  3. Annie Starr Says:

    What can I think of to say other than – WOW. Words don’t really seem to cut it.

  4. Vicki Archer Says:

    Excellent interview…xv

  5. Sue Says:

    Wonderful review. Hoping to be in NY before this exhibit closes – this will be a definite ‘see’

  6. Fashion Projects Says:

    [...] Ingrid Mida: That’s a shame. That particular exhibition is one of the strongest examples of a fashion designer as a contemporary artist. The underlying precepts of life/death, good/evil, light/dark and wonder/terror are also sources of inspiration for artists. They were effectively presented as a complete installation with sound, light, and video. It was a really comprehensive and beautiful exhibition that focused on the concept of McQueen as Romantic Hero and the idea of the sublime. (Read the exhibition review of Alexander McQueen: Savage Beauty here.) [...]

  7. Fashion Projects Says:

    [...] lucky enough to have caught Savage Beauty at the Metropolitan Museum of Art this year will tell you that fashion exhibitions have reached a [...]

  8. Worn Through » Fashion in the Museum — Punk: Chaos to Couture at the Metropolitan Museum of Art Says:

    [...] Museum of Art. The number of press in attendance has increased exponentially since the Alexander McQueen: Savage Beauty exhibition. That year, I was among the first group to enter the galleries and was able to linger in [...]

Leave a Reply

         



About Fashion Projects

Fashion Projects began in New York in 2004, with the aim to create a platform to highlight the importance of fashion — especially “experimental” fashion — within current critical discourses. Through interviews with a range of artists, designers, writers and curators, as well as through other planned projects and exhibits, we hope to foster a dialogue between theory and practice across disciplines.

We are primarily a print journal, however we also publish web-based updates and interviews (a “digest” version of which you can receive by signing up to our mailing list or via our RSS feed) and are currently working on exhibits based on past and future issues. To order any of our issues visit our ordering page.

We are a nonprofit organization, which has previously received grants from the Lower Manhattan Cultural Council and the New York City Department of Cultural Affairs.

We are currently a sponsored project by the New York Foundation of the Arts, a 501(c)(3), tax-exempt organization. Contributions on behalf of Fashion Projects can be made payable to the “New York Foundation of the Arts,” and are tax-deductible to the extent allowed by the law. For more information please don’t hesitate to contact us.

  


Mailing List



Contact

For editorial inquiries please email francesca

For advertising and all other matters please email erin

Distribution

Fashion Projects is distributed in the U.S. and Canada through Ubiquity Distributors (tel. 718-875-5491, info [at] ubiquitymags.com) and in Japan through Presspop Inc. (info [at] presspop.com). It can be found in independent bookstores, Universal News, and other magazines stands across North American and in select stores in Japan and Europe. You can also order it on our site via paypal.

find_us_on_facebook_badge-1.gif