The Man Who Rocked the Runway

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For two days only, visitors to the Manhattan Vintage Clothing Show at the Metropolitan Pavilion will be treated to a pop-up exhibition on the designer Stephen Sprouse. Although modest in size, Stephen Sprouse: Man Who Rocked the Runway is the first exhibition to acknowledge Sprouse’s short yet revolutionary career. What makes this exhibition special is that, unlike in a museum, the bulk of the clothing will be up for sale.

I had the great opportunity to speak briefly to the curator, Elyce Tetorka. She told me that the clothes came from a few sources: Cherry Boutique, David Ownes, Patina, and the private collection of Elin at Unique Boutique. Each of these lenders will also be present at the MVCS. Due to the fact there this exhibition is actually taking place at a vintage clothing show, where spaces are often demarcated by fabric walls, Elyce decided to focus her attention solely on the clothing and accessories, bathing them in brightly colored light reflected off of a silver-white backdrop in homage “to Sprouse’s first showroom on 57th Street that was painted silver.”

To good measure, the clothes are simply fantastic. Her checklist includes a graffiti print hat with a sequin overlay, a day-glo camouflage blazer, and for those wanting something a little tamer, a herringbone-print jacket and skirt.

Elyce is passionate about her subject. When asked why she chose this designer to focus on, she responds that “Sprouse represents a turning point in fashion history when “downtown” became “uptown”.” She says, “Much like Vivian Westwood was doing in London at Sex Boutique – so was Sprouse, except his style was more American – more New York. His legacy is still strong and can be felt today: Marc Jacobs launched his stylized leopard print for Louis Vuitton’s Spring 2006 collection (originally designed in 2000 and never used). Sprouse’s graffiti-style graphics are easily identifiable and replicated on everything from magazine advertisements and camouflage spray-painted sweatshirts to souvenir purses that read “Paris, France.” He was the first designer to send men and women down the runway together, the first to use fluorescent colors, and even the textiles that he designed for Knoll Textiles are available today! For the purpose of the MVCS – Sprouse’s clothes are highly collectable, expensive, and are appealing to a fiercely loyal group of collectors. The designs are bright, eye-catching, edgy and inspiring for people to view as they wait in line, as well as for designers who are seeking a little inspiration.”

All clothing, with the exception of those from Elin Wilder at Unique Boutique, are for sale.

Cherry – 212.924.1410

Deco Etc. – 212.675.3326

Patina – 212.625.3375

Unique Boutique NYC – www.ubnyc.com

The Manhattan Vintage Clothing Show starts today Friday, February 2 (1:00 pm – 8:00 pm) and goes through Saturday, February 3 (10:00 am – 6:00 pm). The exhibit – Stephen Sprouse: Man Who Rocked the Runway – is up for the duration of the event.

Sarah Scaturro

Posted in Designers, Interviews


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About Fashion Projects

Fashion Projects began in New York in 2004, with the aim to create a platform to highlight the importance of fashion — especially “experimental” fashion — within current critical discourses. Through interviews with a range of artists, designers, writers and curators, as well as through other planned projects and exhibits, we hope to foster a dialogue between theory and practice across disciplines.

We are primarily a print journal, however we also publish web-based updates and interviews (a “digest” version of which you can receive by signing up to our mailing list or via our RSS feed) and are currently working on exhibits based on past and future issues. To order any of our issues visit our ordering page.

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Editor:
Francesca Granata
recently completed her PhD at Central Saint Martins, University of Arts London, with a focus on experimental fashion, performance and gender studies. She has previously worked as a lecturer in the visual arts department at Goldsmiths, University of London and as a fellow at the Metropolitan Museum of Art, Costume Institute. She currently lectures at New York University and Parsons, as well as working as an independent curator.

Art Directors:
Shannon Curren (Issue #3) is a freelance graphic designer based in New York.

Jennifer Noguchi (Issues #1 and 2) is a freelance graphic designer based in New York. She has worked for several publications including Print.

Web Design/Development:
John Golding is a software developer living in San Diego.

Writers and Photographers:

Shannon Bell Price
is Senior Research Associate in the Costume Institute at the Metropolitan Museum of Art where she has worked since 2000. Price is also pursuing her doctorate at the Bard Graduate Center.

Rizvana Bradley is completing her Ph.D. in the Literature Program at Duke University. She focuses on the ways technology is integrated into video art, dance, architecture, and concept clothing. Her writing has appeared in Hint Magazine.

Kim Burgas is a freelance web designer and artist based in New York (kimburgas.com). As a former model, she is interested in the role sustainability will play in fashion modeling in the future.

Patty Chang holds a PhD in political science from the University of Oxford. She has worked for UNDP and the UN Department for Political Affairs and is a lecturer at New York University.

Piper Carter is a New York–based photographer who for years worked as an assistant to Steven Klein. Her photographs have appeared in various publications, including British Elle and Spin.

Jessica Glasscock is a writer, college instructor and independent curator. Her first exhibition, a retrospective on Stephen Sprouse, is being presented through Deitch Projects. Her writings include the book Striptease: From Gaslight to Spotlight.

Amanda Haskins is a senior research assistant at the Costume Institute at the Metropolitan Museum of Art and is completing her master's at the Bard Graduate Center.

Cynthia Leung is a fashion writer based in New York and Berlin.

Erin Lindstrom is a graduate of the Fashion and Textile Studies program at FIT. She is currently working with the archives at Ralph Lauren.

Marco Pecorari is completing his Phd in Contemporary Fashion Theory at the Centre for Fashion Studies - Stockholm University, with a thesis entitled “The Show is not Enough: new trajectories for reading contemporary fashion”. He writes for several fashion, arts and cultural magazines.

Nicola Pietroluongo is a programmer and web developer based in Italy.

Keith Price is a photographer and graphic designer living in New York (www.pricephotostudio.com)

Lidia Ravviso is a journalist and filmmaker based in Rome.

Jay Ruttenberg is a staff writer for Time Out New York and editor of the Lowbrow Reader (www.lowbrowreader.com)

Sarah Scaturro is the textile conservator for the Cooper-Hewitt National Design Museum. She is researching fashionable camouflage, as well as the intersection of fashion technology and sustainability.

Tamsen Schwartzman is Associate Research Curator at The Museum at FIT, where she has curated and co-curated a number of exhibits.

Sonya Topolnisky has written about fashion and history for Montreal-based Worn fashion journal, and is currently completing her master's at the Bard Graduate Center.

Tae Yano is a software engineer. She is completing her PhD in computer Science at Carnegie Mellon.


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