David Fenton, Chicano Moratorium, Los Angeles, February 28, 1970 (currently on view at Steven Kasher Gallery)
Here is some information on fashion conferences, one of which is currently accepting papers for consideration. Focusing on fashion in the American West up to modern times, "Costume in the American West" encompasses topics as diverse as counterculture fashion, costume and fashion in film and televison, as well as more historical topics on the developing of dress practices which came to be associated with the "Wilde West." Below is the call for paper:
"Costume in the American West: Historic to Modern Times;" September 25-26,2009; Sacramento, California
"The Western Region Symposium offers an opportunity for members of the Costume Society of America to present research on a variety of topics related to the theme “Costume in the American West: Historic to Modern Times.” Some possible topics for papers are: modern and historical fashion designers; dressmakers and milliners; art-to-wear; entertainment from Buffalo Bill and Wild West Shows to opera, dance, theater, film and television; counter cultures; costume in Western American literature; Native American and First Nations cultures; the design process; sports and leisure; manufacturing/manufacturers, gay culture, show girls and beyond!"
Taking place more immenetly, on Saturday November 29th at the ModeMuseum in Antwerp, is MoMu's annual symposium, which this year is on the topic of Male Elegance. Among the speakers is Cristopher Breward, research director of the V&A which will discuss "Dirk Bogarde: From Doctor to Decadent," and fashion and film historian Stella Bruzzi, who will be speaking on "the Dangerous Charms of Alain Delon."
Here is a full programme
Fashion Projects #5 is devoted to fashion curation, examining the meteoritic rise in relevance of fashion exhibitions.
It features interviews with an eclectic assortment of leading practitioners from different corners of the world. The issue includes long Q&As with Harold Koda, the longtime, recently retired curator of the Met’s Costume Institute, as well as the Museum at FIT’s veteran leader Valerie Steele. It also features interviews with curators in Antwerp (the ModeMuseum’s Kaat Debo), Toronto (Royal Ontario Museum’s Alexandra Palmer) and Venice (Maria Luisa Frisa); academics studying the field (Hazel Clark, Annamari Vänskä, and Alistair O’Neill); and, giving an on-the-ground perspective, the Met’s head conservator, Sarah Scaturro. The issue’s cover stars Greer Lankton’s sculptural representation of legendary Vogue editor and Costume Institute doyenne Diana Vreeland, who continues to loom over the field years after her death.
Table of Contents
Introduction
Showmanship and History: An Interview with Harold Koda by Francesca Granata
Woman of Steele: An Interview with Valerie Steele by Lisa Santandrea
Exploring Fashion’s Openness: An Interview with Kaat Debo by Alex Esculapio
London, After a Fashion Curator: An Interview with Alistair O’Neill by Alexis Romano
Curation and Conservation: An Interview with Sarah Scaturro by Mae Colburn
Reflections on Fashion Curating
An Interview with Hazel Clark and Annamari Vänskä
Fashion in the Vast Museum: An Interview with Alexandra Palmer by Ingrid Mida
Restless Curating: An Interview with Maria Luisa Frisa by Marco Pecorari